New: We’re excited to return to the HOT! Festival at Dixon Place, New York’s home for experimental performance! On August 2nd at 7:30pm, Tangle will preview an excerpt of its upcoming 2014 FringeArts performance, Loop. The HOT! Festival is the oldest continually running GBLTQ festival in the world. Tangle will be sharing the stage with Tinder and Ash, a daring new circus-theater company from the New England Center for Circus Arts. Tickets are just $10-12 in advance!
Thank you for joining us at The Porch at 30th Street Station for Tangle’s performance of Passages! Passages is an urban circus-theater celebration of Philadelphia’s errand-runners, train commuters, tourists, cyclists, and people-watchers.
Interview with FringeArts: “In creating Timelines, we talked a lot about movement styles for different people and times: if the 1950s secretaries have very purposeful, direct gestures, maybe the people of the future are fluid and indirect by contrast, and they would consider, for example, a handshake to be the height of rudeness. We got to explore a lot of swinging, spinning, sliding movements for the people of the future, including my personal favorite, a brand-new aerial apparatus made of multiple loops suspended from the ceiling.”
Break/Drift/Resist reviewed by thINKingDANCE: “The aerial work lends itself to imagery and weightlessness beyond the reach of earthbound dancers…. After rising to the swing, she pauses for a moment, then gestures with one foot–the type of gesture we are accustomed to seeing a dancer, not a trapeze artist, perform. Working on the trapeze, she projects a lucid understanding of how the aerial and dance theater worlds exist seamlessly. It is enjoyable to see Tangle take on the challenge of interdisciplinary work, with their strong sense of self and community…. Tangle creates new worlds of relationships through their experimental work.”
Break/Drift/Resist reviewed by Philadelphia City Paper: “It reminded of Cirque de Soleil, but on a relatable level; these artists aren’t fantastical (other than in their upper body strength). Their mode of storytelling just so happens to involve propelling themselves through the air via only their own momentum on a rope or twirling down a stretch of cloth while sustaining their entire body weight with one ankle wrapped loosely above like it’s no big deal. … No matter the speed of the spins and falls, the artists managed to come across as graceful and deliberate in their actions.”
Dance, Dance, Otherwise We Are Lost: a visit to a rehearsal for Break/Drift/Resist: “Of note was a silks routine performed by a member of the troupe where she weaved herself into a dreamcatcher-like shape. There was also a clear and palpable tenderness and respect amongst the all-female troupe as they moved through challenging rope routines and choreography. The performance can best be summarized by another quote from Pina Bausch: ‘To understand what I am saying, you have to believe that dance is something other than technique. We forget where the movements come from. They are born from life.‘”